Barton Byg, for instance, acknowledges that Die bleierne Zeit “constructs a powerful cinematic evocation of a land burdened by its past,” but he claims that the film’s power comes from “the acceptance of mass culture as a language or sign-system into which neither the critic nor the artist can intervene from the outside. They accept the film industry as it is rather than propose a radical alternative.”//Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:385

如果小时候能看到就好了

电影《人皮客栈》我是分开了两次把它看完，原因很简单，上篇的结尾已经预示着可能发生的血腥，而且这些血腥不仅仅是表现在心理上，而是赤裸裸的视觉感官刺激，明显，对于一个要入睡的人来说，大可不必在睡前观看。

拉人头洗钱的畸形电影业，像个畸胎肿瘤一样令人恶心

虽然有些情节剧本痕迹严重但是冒险是实打实的冒险啊！适合选择困难症的小伙伴